Talking
Tie
Talking
Tie is a theatre prop created for The
Illusion Brothers – a clown performance by Dominic Burdess
and Tom Godwin (pictured above). The aim of Talking Tie is to create
an interactive device which is not only appropriate to the action
on stage, but which is essential in that it enhances the possibilities
inherent in the piece.
The Illusion Brothers is an hour-long performance in which two clowns
are followed through a pivotal, life-changing moment. The illusion
brothers, exist entirely in a world of illusion until one of them,
completely taken in by the drudgery of his boring job, loses sight
of the joy and playfulness inherent in his leisure-time illusions
and devotes himself entirely to his daytime employment. In recognition
of his efforts and attitude his employer eventually awards him “employee
of the month”, and a tie, the Talking Tie, the first visible
prop in the performance, descends from the ceiling to be placed
around his neck.
The
action then consists of the performer’s journey as he tentatively,
and then with more and more gusto, assumes the power inherent in
the assumption of his new role – at the same time as he gradually
tightens the tie around his neck. With each manipulation of the
tie, the Talking Tie verbally encourages him in his growing megalomaniacal
attitude, eventually leading him to be so overcome with his power,
to tighten his tie so much, that he strangles himself and dies.
The
relationship between the Talking Tie and the performer develops
from the actor passively listening to the Tie, through a series
of conversations and manipulations where the actor controls or uses
the Talking Tie to assume greater power until, eventually, as the
character’s quest for power unbalances him, it will evolve
to the point where the Talking Tie is recording and repeating his
words and sense breaks down completely.
The interactions and dialogueing with the Talking Tie are triggered
through the manipulation of an electronic circuit which is embedded
into the Tie’s structure. This circuit incorporates possibilities
for pre-recording, recording and playback and has several points
of actuation – both on the toggle and on the Tie’s base.
This allows a variety of ways of triggering audio while at the same
time rendering the technology less decipherable to the audience,
thus maintaining and even extending the sense of illusion and magic
integral to The Illusion Brothers.
The
actor’s speech during the Talking Tie sequence begins as a
tentative acceptance speech and develops through a range of emotions
to become a very powerful, rousing speech such as one would encounter
in a political rally. The speech predominantly consists of gibberish
and, like a patter song, it is “sung” or performed at
a particularly lively pace. The pre-recorded speech elements in
the Tie contain no gibberish at all to allow a coherent relationship
to be created – one which allows the audience to accept the
Talking Tie as another character – at once the personification
of “power” and the voice inside the wearer's head -
and so facilitate the development of a cohesive relationship between
the Talking Tie and its wearer.
The
Illusion Brothers will be performed at the Edinburgh Festival in
September 2003 and will tour internationally in 2004
©
danielle wilde 2003
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